Review: behind every beautiful thing by Flora Cash
Christian Potts • December 12, 2024

Our Score: 8.5 / 10

Flora Cash’s new album is like stepping into a cinematic journey, full of contrasts and emotional depth. Across its 38-minute runtime, it masterfully blends light and shadow, chaos and beauty, creating a soundscape that feels both intimate and universal.

The album opens with “Should’ve Dressed for the Event,” a track with understated melancholy. Its theme of going to the wrong party—metaphorically and literally—captures a quiet sense of isolation and acceptance. It’s the perfect introduction to the album’s paradoxical nature, where simplicity enhances emotional depth.


As the journey continues, “Morning Comes” shifts the tone, offering hope and warmth like the first rays of sunlight after a sleepless night. It’s gentle, almost defiant in its optimism, reminding us that even after the darkest moments, there’s always a morning.


Flora Cash then dives into the raw vulnerability of “Baby I Love You.” Free of metaphor or irony, this track strips everything down to its core—a simple, honest declaration of love. It’s not flashy, but its sincerity resonates deeply, proving that sometimes less really is more.


The restless energy returns with “The Night is Young,” a track for those who feel stuck between destinations but know they have to keep moving. It’s playful yet profound, capturing that sense of searching without fully arriving.


“Holy Water” is a standout moment on the album. With its chant-like vocals, layered synths, and imaginative lyrics, it feels almost spiritual, weaving hope and pain into a complex yet cohesive experience. The unorthodox sound pulls you into a deeply reflective space, perfectly balancing chaos and beauty.


In “Dragon,” Flora Cash shifts to a more personal tone, confronting inner fears through haunting rhythms and tidal-like movements in the music. It’s a track that captures the struggle of acknowledging your own demons before you can even attempt to conquer them.


The album closes with “The Builder (För J. Blom),” a fittingly raw and emotional end to this journey. It’s an ode to imperfection, embracing the idea that life is always under construction, built moment by moment. The strings, beats, and heartfelt lyrics combine to create a final track that lingers long after the music stops.


Flora Cash has crafted an album that feels like a conversation between light and dark, chaos and calm, hope and despair. It’s a deeply human experience, where even the flaws feel intentional, reminding us that beauty often lies in the imperfections. For 38 minutes, this album takes you on an emotional walk through the complexities of life, leaving you both unsettled and comforted.


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